The Picasso on Paper art exhibition opened on 9 February 2019 at the Kunsthal in Rotterdam’s Museumpark. It includes more than 70 of Pablo Picasso’s linocuts, selected from the prints collection of the Museum Boijmans Van Beuningen.
“We have a collection of about 400 Picasso prints and I’ve tried to select the most beautiful prints that we have, with a focus on the line of cuts from the 50s and 60s. They are very well represented in our collection. The earlier and the later period, we also have, but not as many as the linocuts,” explained Peter van der Coelen, the Curator Prints and Drawings at the Museum Boijmans Van Beuningen.
“I think every print that Picasso made is interesting, but the linocuts are very expressive and colourful. I think an audience will like them,” he added as we strolled between the works, which includes La Dame à la Collerette, a depiction of his wife Jacqueline in a costume inspired by clothing from the 16th century.
Pablo Picasso’s colour linocuts
Pablo Picasso lived from 1881 to 1973. The prolific Spanish artist produced more than 2,500 prints, experimenting with an array of techniques. He taught himself how to make colour linocuts. His works in this medium depict bull fights, mythological scenes, still life and women.
“The interesting thing is that Picasso started working in this technique only at the age of, I think, 77. In 1958 he made his first linocut…even in his 70s he tried to do new things and experiment in new techniques,” pointed out Mr Van der Coelen.
“We have a series of proofs. He learned this technique in a way that other artists at the younger age have done,” said the curator, pointing out a series of frames that demonstrate how the prints were layered — printed on top of each other — to create the final work.
“In this print five layers of ink are printed on each other and then the last thing is to frame. He started with black, then three layers of white, then black again — and then the frame. So you can see how he worked with this process. So that’s interesting, I think, to see how he probably knew what he would get and his way of thinking…It’s the same linocut plate that uses. He had to be very careful not to make mistakes, because then everything would be lost,” added Mr Van der Coelen.
The Museum Boijmans Van Beuningen Picasso collection
Rotterdam’s Museum Boijmans van Beiningen strated adding works by Picasso to its collection almost a century ago.
“I think its first Picasso painting was acquired in the 1920s or ‘30s and the first prints also came into the collection in this period. In 1955 the museum decided to have a subscription to Picasso’s prints. Picasso made editions of 50 prints — every print that he made there were 50 impressions. You could go to a gallery in Paris, the Galerie Louise Leiris, and buy just a single impression but the museum decided to have a subscription. We have one of every new print made after 1955,” explained Mr Van der Coelen.
“At the end of the ‘60s, the museum decided to stop it because Picasso made so many prints…maybe they didn’t like his style,” he mused with a shrug of his shoulders and a quizzical smile.
“The later prints are more expressive. They are very direct. He made several prints a day sometimes. Sometimes they were qualified as the work of ‘a dirty old man’ who’d lost this his boundaries. But now they’re really liked again, because they are so expressive and because of the erotic tensions and fantasies that you can see. I think it’s a nice end of the exhibition to have prints like this. It’s in the same technique as the early work but in a very different style,” concluded Mr Van der Coelen.
Picasso on Paper continues at the Kunsthal until 12 May 2019.
See the Kunsthal website for information about exhibitions, opening times and entry prices.
The renovation of the Museum Boijmans van Beuningen will continue until 2026. Until the reopening, items from the museum’s extensive collection will be displayed elsewhere in the Netherlands and beyond. The Boijmans Next Door project will result in 500 works being shown at eight locations in Rotterdam as part of 11 exhibitions, including Rothko and Me at the Stedelijk Museum Schiedam and the Branding Rotterdam at the Chabot Museum. Selected works will also be shown in the world’s premier museums. The Boijmans van Beuningen Museum’s new mirror-covered depot, currently under construction, will be accessible to the public.
Rotterdam is a 27-minute train journey from Amsterdam Airport Schiphol. KLM connects regional airports in the United Kingdom and Schiphol.
Photographs illustrating this article are by Lotte Stekelenburg and supplied courtesy of the Museum Boijmans van Beuningen and, like all of the images on Go Eat Do, may not be reused without permission of their creator.
Stuart Forster, the author of this article, was named Journalist of the Year at the 2019 Holland Press Awards.
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