Gin maker Dan Walsh discusses Rascal Gin

Gin is experiencing a renaissance. The drink has cast off its reputation as an unfashionable tipple and is very much in vogue. It seems that every bar and off-license now stocks a broad selection of gins, from traditional London-style dry gin to versions distilled with botanicals. Liverpool-based Dan Walsh recently launched Rascal Gin and set aside time to talk about the experience of launching a new product onto an already saturated market.

I met Dan at the Gin and Rum Festival held at Newcastle Civic Centre and was impressed with the passion and humour he showed while talking about Rascal Gin.

Why gin is popular

He explained that the current popularity of gin is down to a combination of reasons, one being the flexibility of the base spirit. Beyond the perception of gin changing, Dan pointed to the diversity of the tonic market, some of which have no quinine, and the availability of gins with less pronounced juniper and less bitterness in their flavour.

“People are becoming aware that gin doesn’t have to taste bitter or be drunk with tonic; it can also be enjoyed with lemonade. There’s a massive expansion of gins that are not traditional — some are sweet, others are not. Mine is a classic example of that. The base is ten botanicals traditionally distilled in a copper pot. It is not prioritising the juniper…juniper’s not the main event for a lot of products. In a nutshell, less bitterness is key to the current popularity of gin,” asserted Dan.

Bottles of Ungava gin, Damrak gin, Jawbox gin liqueur and a Whitley Neil premium gin
Bottles of premium gin from the United Kingdom and beyond.

The origins of Rascal Gin

Prior to working on Rascal Gin, Dan was then involved in the brand management of Tinker Gin, a premium gin with 10 botanicals and fruity inflections. “I transferred some of those experiences and knowledge. I saw the way the industry was moving and the feedback of people, and saw there was a good market for a premium distilled spirit with a fruitiness,” he explained.

“My primary directional interest was having the finish of the complex fruity flavour profiles but not necessarily the sweetness or the added sugar. I realise that’s a very popular thing in the industry at present,” he said, referencing the current trend for fruity 40 per cent spirits and liqueurs with broad popularity.

“Something I got interested in was tropical flavours from playing around with cocktails,” said Dan, who has spent much of the past year bringing Rascal Gin to market.

The characteristics of Rascal

“It was based on having some fun and uncompromised personality, in terms of the name and voice. It revolves around small amounts of volume, attention to detail and quality — in terms of the bottle, the decoration and the whole product, rather than driving big volume,” he explained.

“But because there’s only me involved, that was the only feasible option as well. To do something big and drive volume, there’s just no way I could do that on my own. But that’s not what I’m interested anyway to be honest.”

“The experiments with recipes and botanicals were done on small stills, two to five litres in size,” said Dan, revealing that the coating and colour combination of the bottle are inspired by passion fruit. “The spray coating on the bottle is an interpretation of the unusual, complex colour of the passion fruit: the passion fruit skin, is it bronze, is it black, is it purple, is it red? The print it has a yellow inside of it.”

“Then there was the other side of it; wanting to embrace local, regional, independent and artisanal. Even though I’m not distilling it myself, I wanted to get as many people as possible involved in the chain.”

G&T served in a copa glass with a slice of lemon and ice
G&T served in a copa glass with a slice of lemon.

Making a new gin stand out

Dan admits the market for gin is saturated and has a lot of good products at present. So how does he get Rascal to stand out?

“For me the bottled decoration, the spray and the screen print; that was a route I was inspired to go down partly because of a Liverpool-based designer I met. It’s quite an expensive process. A lot of bottles don’t do that, so it’s a way of standing out. In terms of aesthetics, I was inspired by labels of craft beer; they were crisp and quite simple. A lot of gin bottles use complex floral designs with Victorian fonts and ornate details. To keep with my personality and the voice of the brand I thought I’d go with something like the craft beer logos and a screen print with just two colours,” answered Dan.

Rascal gin doesn’t feature any botanicals local to Liverpool or the surrounding region. “The narrative of the story has got that provenance: the anchor on the logo is symbolic of Liverpool being a renowned port…I’m not pretending to be out foraging local botanicals in any way shape or form,” said Dan frankly.

“I really enjoy tropical flavours and how they interact with a lot of classical, traditional gin botanicals — the citrus especially. It has a distinctive, tropical aroma,” he explained of Rascal, which also has elements of raspberry in its flavour.

Glass of gin and tonic with ice cubes and lemon
A glass of gin and tonic.

The challenges of launching a gin

Dan admitted that one of the biggest challenges he’s faced in bringing Rascal Gin to market has been cash flow. Beyond that, he talked about his belief that the aesthetic of the product is important, “something which is relatable and communicates to a customer something interesting…and a bottle that stands out on a shelf without the presence of a brand ambassador.”

“The liquid must stand out without the bottle. It has to stand out in a glass on a bar. A big thing is when it is being tasted having the flexibility of different serves,” added Dan.

“But for me one of the biggest challenges was the boring stuff that no one ever talks about, to do with organising production. Like if you’re doing something, sending it to another place. Getting a bottle decorated, sprayed and labels printed then connecting that with bottling the liquid, so there’s synergies in the process and still some sort of profit margin after the labour of love. One of the biggest learning curves for me was about haulage and the protection needed during haulage. I’ve spent so much of the last three months talking to people about various forms of cardboard,” said Dan, referencing the dividers and boxes used to ensure his bottles can be transported and shipped without damage.

Bringing the gin to market has, said Dan, dominated his mind over recent months but he’s pleased with how Rascal is being received: “It’s getting stand out feedback from customers at events and, for me, that’s the important thing and justifies the cardboard.”

He acknowledges that the nature of the trade, being based on cut margins, is an entirely different challenge to being appreciated by consumers. The first batch of Rascal Gin, released onto the market in the spring of 2019, was a way of Dan recouping some of his expenses and enabling the production of a second batch, due in July.

Gin and tonic served with ice and lemon in a copa glass against a red background
Gin and tonic served in a copa glass. The stem helps ensure that the ice does not melt when it is held.

Making a premium gin sustainable

“To have longevity at the premium end of the price point, people are discerning about the detail and personality, not just the liquid…it makes it more challenging to articulate something that comes across as premium and justifies that higher price point.”

“Initially, my benchmark was to make sure it cut through with a traditional premium tonic water, so whether that was Fever Tree or the new Schweppes or Fentimans. I thought if there’s other interesting tonic waters that work, that’s great. But for me, as a consumer, I want to know this drink will work well with a mixer I can get from a shop and with some nice garnishes that I’ve got in the house and aren’t going to cost me loads to buy, that I’ll use once and then they’ll perish. One of the things I enjoy is that the product is flexible. I drank it recently at a tasting with Fevertree Mediterranean and it got some outrageous feedback. It worked well because it’s less bitter, has less quinine and has herbaceous and citrussy notes.

Rascal Gin works well in a gin sour and a French 75 suggested Dan. Ultimately, what you choose to mix gin with — if anything — is down to your own taste preferences.

Further information

Head to the Rascal Gin website to see the designs and bottles that Dan discusses in this interview. Bottles of Rascal Gin can also be purchased via that website.

Rascal Gin is available at Gin Society and Gin and Rum Festival events.

Stuart Forster, the author of this article, is a freelance food and travel writer. If you’d like to sponsor a post on Go Eat Do, please get in touch by calling 07947 587136 or sending an email to stuart@go-eat-do.com.

Photos illustrating this post are by Why Eye Photography, a photography company based in North East England.

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Glass of gin and tonic against a red background to illustrate an interview with Dan Walsh of Rascal Gin
Use Pinterest? Pin this for later. Liverpool-based gin maker Dan Walsh discusses the popularity of gin and bringing Rascal Gin to market.

2 Comments

  • Bekki Ramsay

    June 23, 2019 at 08:22 Reply

    Love this! I recently went to a gin masterclass at Banyan and was taught the history of gin. It’s so interesting! Did Dan tell you that gin used to be made in bathtubs? I loved hearing about that.

    • Stuart Forster

      June 23, 2019 at 10:02 Reply

      I bet it was fun. I learnt a bit about the history of gin at the Netherlands’ National Genever Museum in Schiedam and while visiting Edinburgh Gin. I quite like the idea of sitting in a bathtub and sipping a G&T!

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